By S. M. Stirling

ISBN-10: 1101182806

ISBN-13: 9781101182802

Eons in the past, the strong Homo Nocturnis governed the earth. whereas their numbers were enormously lowered, they nonetheless exist-though now not as purebreds. Adrian Breze is one such being. filthy rich and reclusive, he's extra Shadowspawn than human. yet he rebelled opposed to his type, selecting to stay as a typical guy. Now, to avoid wasting humanity, he needs to conflict the darkish forces of the world-including these in his personal blood...

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It's no use; no use at all. The children won't let me stop telling tales of the land of Oz. I know lots of other stories, and I hope to tell them, some time or another; but just now my loving tyrants won't allow me. They cry "OzOz! more about Oz, Mr. " 5. The Road to Oz. " . . I thought I had written about Oz enough; but . . I have been fairly deluged with letters from children. . I have received some very remarkable news from The Land of Oz. . . But it is such a long and exciting story that it must be saved for another bookand perhaps that book will be the last story that will ever be told about the Land of Oz.

I thought I had written about Oz enough; but . . I have been fairly deluged with letters from children. . I have received some very remarkable news from The Land of Oz. . . But it is such a long and exciting story that it must be saved for another bookand perhaps that book will be the last story that will ever be told about the Land of Oz. 6. The Emerald City of Oz. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Page 16 Dorothy .

Fantasy, until very recently, has always offered us a Manichean world, in which values are polarized by absolutes of good and evil, a world especially com- Page 7 patible with the mixture of pagan and Christian beliefs prevalent in Europe in the Middle Ages. Fictions grounded in such a matrix regularly present ultimate good and ultimate evil embodied in the fictional characters of the text. It is this feature of modern fantasy more than any other that makes it anachronistic in our time. But we are getting prochronistic ourselves, and must turn to more basic questions of definition.

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